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Volume 1, Issue 1
Spring 2022
Table of Contents
Click here to download the entire issue in PDF format,
or browse the individual sections below.
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Welcome and Editorial
Welcome
Shirley Salmon
Editorial
Editorial Board
2021 Convention Presentations
Keynote Speakers
Play and Playfulness: Planning for Freedom and Structure in Orff-Schulwerk
Elizabeth Wood
For the Love of Children: Music, Enculturation, and Education
Patricia Shehan Campbell
Presentations
Planning with Mind Maps
Shirley Salmon
Creative Group Work as a Central Pedagogical Strategy in the Orff-Schulwerk Approach
Andrea Sangiorgio
To Ripple the Water: Music and Culture
Kristín Valsdóttir and Elfa Lilja Gísladóttir
It Takes a Village - Planning for Inclusion and Belonging Through Play
Charnell King
Orff Music Therapy and Playful Interactions
Bethany Rowe
Weaving Journeys - Ways of Developing Creative Learning Processes
Caroline McCluskey
Playful Possibilities: Improvisation with Speech and Found Sounds
Michael Chandler
A Process of Opening
Kate Buchanan, Andrew Maud and Maria Neil-Smith
The Bauhaus Approach Through Orff Music and Dance Education
Tany Zisiadou and Vicky Sachpazi
Speak Up for the Planet!
Virginia Longo
100 Years of Bauhaus: Chairs
Xu Mai and Sarah Brooke
From Around the World
SingOrff in the Pandemic
Paul Grosse
"Crossroads" Unites Ukraine
Svetlana Fir
Orff South Africa
Julie Griffiths
Dance for Educators
Carme Nájera
Historical Perspectives
Orff-Schulwerk Sources in the Archive of the Orff Centre Munich
Claudia Zwenzner
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IOSFS Updates
IOSFS Resonances
Christoph Maubach
News from the IOSFS
Tiffany English
Reviews of Publications
Taking a Learner-Centred Approach to Music Education; Pedagogical Pathways
by Laura Huhtinen-Hildén and Jessica Pitt, reviewed by Nadja Kraft
The Orff Music and Movement Education as a Starting Point and a Destination
by Olympia Agalianou, reviewed by Konstantina Dogani
Handbuch und Lexikon EMP
by Michael Dartsch, Claudia Meyer, and Barbara Stiller (Hrsg.), reviewed by Micaela Grüner
You are the Instrument
by Cora Krötz, reviewed by Wolfgang Hartmann